Matthew Paul Olmos is a three-time Sundance Institute Fellowship/Residency recipient (2014 Lab, 2013 UCROSS, 2009 Time Warner Storytelling Fellow), 2019 Humana Festival of New Plays Commissioned Playwright, New Dramatists Resident Playwright, Center Theatre Group LA Writers Workshop member, Oregon Shakespeare Festival Brown Swan Lab Writer, Princess Grace Awardee in Playwriting, National Latino Playwright Awardee, Cherry Lane Mentor Project Playwright as chosen by Taylor Mac, and La MaMa e.t.c.'s Ellen Stewart Emerging Playwright Awardee as selected by Sam Shepard.
He spent two years as a Mabou Mines/SUITE Resident Artist being mentored by Ruth Maleczech and is a former New York Theatre Workshop's Emerging Artist Fellow, Baryshnikov Arts Center Artist in Residence, Dramatists Guild Fellow, Primary Stages' Dorothy Strelsin New American Writer, Brooklyn Arts Exchange Resident Artist, INTAR H.P.R.L Playwright, Rising Circle Collective Playwright, terraNOVA Collective's Groundbreakers Playwright; he is also an Echo Theater Company Resident Playwright and an Ensemble Studio Theater lifetime member.
He received the Sundance Institute Time Warner Storytelling Fellowship for his play I PUT THE FEAR OF MÉXICO IN'EM, which world-premiered in Chicago at Teatro Vista; it has also been developed by INTAR Theatre, The Working Theatre, The Lark, The Kennedy Center with The Inkwell, and the Gala Theatre in Washington D.C.. It was taught at Rutger’s University by Caridad Svich. It is published by both NoPassport Press and Samuel French.
As part of his award, La MaMa e.t.c., produced his play SO GO THE GHOSTS OF MÉXICO, PART ONE, the first in his 3-play cycle about the U.S./México drug wars; directed by former Public Theater Director of Under the Radar Meiyin Wang. The production played a sold-out run and was a New York Times Critic's Pick. The Spanish version premiered in México and was also produced by Repertorio Español. The English version is published by Samuel French and had a regional premiere in 2016 at Undermain Theatre in Dallas, TX.
His work has been presented both nationally and internationally, taught in university, and is published by Samuel French and NoPassport Press. He is a proud three-time Kilroys nominator.
He is currently working on a devised piece, AMERICAN NATIONALISM PROJECT, with director Luke Harlan and designer Nick Benacerraf, which was recently developed through New York Theatre Workshop’s Adelphi Residency. He is also in development on a 3-play cycle about American Presidents, the second of which, THE BROKEN HEARTS OF A CORRUPTED WHITE HOUSE, explores Dorothy and E. Howard Hunt’s involvement in the Watergate scandal, and was developed through New Dramatists and Oregon Shakespeare Festival’s Black Swan Lab. www.matthewpaulolmos.com.