Tarell McCraney’s Haitian "Antony and Cleopatra" Set for Miami

November 14, 2012

This content is sourced from The Miami Herald.

Big dreams for his Miami hometown have always figured in playwright Tarell Alvin McCraney’s globetrotting life in theater. Next season, one of those dreams will come true when South Florida’s GableStage, England’s Royal Shakespeare Company and New York’s Public Theater join forces to premiere McCraney’s new set-in-Haiti version of William Shakespeare’s Antony and Cleopatra.

Announced Monday by the three companies, the production will premiere in November 2013 in the RSC’s Stratford-upon-Avon home, be presented by GableStage at Miami’s Gusman Center for the Performing Arts Jan. 9-26, 2014, and then move to Manhattan and the Public. The Miami run will include morning shows for some 15,000 Miami-Dade public school students.

“One of the beautiful things about this is that it was driven by Tarell,” says Oskar Eustis, “the key to all of this is that we’re unabashed Tarell McCraney fans.”

About $700,000 of the production’s estimated $2 million-plus budget will be GableStage’s responsibility. The cast will be half American, half British, and auditions will be held in Miami, New York and London. McCraney will direct the play, which is set in the 1790s in colonial Saint-Domingue on the eve of the successful Haitian revolution against the French.

Artistic leaders from all three companies say their faith in and admiration for McCraney is what led them to say yes to the collaboration.

“One of the beautiful things about this is that it was driven by Tarell,” says Oskar Eustis, artistic director at the Public, which has presented all three of McCraney’s reputation-making Brother/Sister Plays. “The key to all of this is that we’re unabashed Tarell McCraney fans.”

“Tarell was our playwright in residence, and I wanted to see his take on Antony and Cleopatra,” emailed Michael Boyd, former artistic director of the RSC, who commissioned the script, adding that he was seeking “a bold new take on this difficult play.”

For GableStage’s Joseph Adler, McCraney’s Antony and Cleopatra is an opportunity to build on a relationship that began last season with McCraney’s staging of his The Brothers Size and this season with a January-February production of Hamlet, a 90-minute adaptation McCraney and Bijan Sheibani wrote for the RSC.

Adler also believes the collaboration with two of the world’s leading presenters of Shakespeare’s plays can take his company – and the region’s theater – to a new level.

“I think it could be transformative for South Florida,” Adler says. “If it works, it could be done annually.”

Adds GableStage board chairman Steven Weinger, “We hope that the Shakespeare presentation will raise our visibility and reaffirm our value to the community.”

Michael Spring, director of Miami-Dade County’s Department of Cultural Affairs, says Antony and Cleopatra is a huge step for GableStage.

“This will force GableStage to develop greater staff capacity and fundraising capacity,” he says. “But the Public and the RSC would never enter into a collaboration with a theater that couldn’t hold up its end. This has everything to do with the quality of work coming out of GableStage.”

McCraney, who grew up in Liberty City and graduated from New World School of the Arts, earned his master’s in playwriting from the Yale School of Drama in 2007. In the five years since, his plays have been produced at major regional theaters throughout the United States and in England. His Head of Passes will have its world premiere in April at Chicago’s Steppenwolf Theatre, where he is a company member, and his British hit Choir Boy will be done in June at New York’s Manhattan Theatre Club, which commissioned the play.

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